San Andrea delle Valle, Rome, Italy

This was the view from our window when we used to stay at the Hotel Pantaleone in Rome. The hotel was in a palazzo, but is gone now, and we rent our own apartment. We were on the top floor, in the cornice. If I leaned out the window, I could see the Chiesa de San Andrea delle Valle. It is one of the most spectacular Baroque churches in Rome, and therefore in the world. I think it’s great in the ‘smack you between the eyes’ way that Roman counter-reformation churches were. Looking down at the street, we could see the late afternoon sunlight and the gathering storm.

Oil on canvas

24”w x 30”h

$900

Nocturne in Blue, Our Lady Star of the Sea, Cape May

I had to visit the Acme supermarket early one winter morning to get eggs for the bed and breakfast. When I came out, I noticed the dark mass of Our Lady Star of the Sea across the parking lot. The pavement was wet and the dawn was dark and misty.
The scene reminded me of James McNeil Whistlers’ Nocturnes, especially those of the Houses of Parliament. He used to say he used his “special sauce” to get the liquid night effect. I guessed that his “special sauce” is glaze made of linseed oil and ultramarine blue – which is what I used.

Oil on canvas
20”w x 16”h

$750.

Santa Maria della Salute, Venice, Italy

This is a view of the Santa Maria della Salute from the Riva degli Schiavoni in Venice, Italy, during Carnival. Susan always wanted to go to Carnivale in Venice, and one year, Easter was very early, so we could arrange Carnival in our schedule. We were staying in a hotel right on the Riva degli Schiavoni, recommended by a friend and neighbor in Cape May. Every morning, we’d go walking in our costumes, attracting lots of attention and having hundreds of Japanese tourists take their pictures with us. I went as a giant Turk and Susan went as an eighteenth century Frenchwoman.

My aim in this painting was to convey the crush of the crowd on the Riva degli Schiavoni and the other-worldliness of the pink light shining on the dome of the Salute. I used much more linseed oil than usual to make a rich, fat paint to carry intense color.

36”w x 24” h
Oil on canvas

$950.